{"id":842,"date":"2025-12-19T12:28:54","date_gmt":"2025-12-19T12:28:54","guid":{"rendered":"https:\/\/crrnt.net\/?p=842"},"modified":"2026-01-20T11:19:41","modified_gmt":"2026-01-20T11:19:41","slug":"crrnt-concertseries-2026alice-sirom-si-undercurrent-int-mariam-rezaei-ir","status":"publish","type":"post","link":"https:\/\/crrnt.net\/?p=842","title":{"rendered":"CRRNT Concertseries 2026: ALICE: \u0160irom (SI) + Undercurrent (INT) + Mariam Rezaei (IR)"},"content":{"rendered":"\n<p>CRRNT Collective invites you to an evening at ALICE, where improvisation, avant-folk, and fearless turntablism meet across borders. The Slovenian trio \u0160irom creates a hypnotic and dreamlike sonic universe with their unique array of instruments, while award-winning composer and turntablist Mariam Rezaei unfolds a raw and futuristic expression in which vinyl becomes real-time composition. CRRNT\u2019s own ensemble Undercurrent ties the evening together with a collective and constantly shifting musical space, where free jazz, experimental textures, and lyrical narratives flow into one another.<\/p>\n\n\n\n<p>Experience a concert that brings together three powerful voices from the international experimental music scene and marks yet another highlight of Winter Jazz 2026. The concert is part of Vinterjazz 2026 \u2014 30 January to 28 February. <\/p>\n\n\n\n<p><strong>Thursday 12.02.26 <\/strong><\/p>\n\n\n\n<p>ALICE &#8211; N\u00f8rre All\u00e9 7, 2200 K\u00f8benhavn<br>Doors: 19.00<br>Concerts start: 20.00<br>Ticket: <a href=\"https:\/\/billet.alicecph.com\/da\/buyingflow\/tickets\/30592\/85658\/\" target=\"_blank\" rel=\"noreferrer noopener\">Standard: 130 DKK <small>+ gebyr<\/small><\/a><br><a href=\"https:\/\/billet.alicecph.com\/da\/buyingflow\/tickets\/30592\/85658\/\" target=\"_blank\" rel=\"noreferrer noopener\">under 25 \/ Student: 110 DKK <small>+ gebyr<\/small><\/a><br>Reserve your tickets <a href=\"https:\/\/alicecph.com\/event\/crrnt-collective-presents-sirom-sl-undercurrent-int-mariam-rezaei-ir\/\"><strong>here<\/strong><\/a><\/p>\n\n\n\n<p><br>Thank you to ALICE for collaborating on this event, and thank you to Dansk Komponist forening, K\u00f8benhavns Kommune Musikudvalg, Koda Kultur and JazzDanmark for financial support of the 2026 concertseries.<\/p>\n\n\n\n<p><strong>\u0160irom<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"440\" src=\"https:\/\/crrnt.net\/wp-content\/uploads\/2025\/12\/sirom.jpg\" alt=\"\" class=\"wp-image-843\" srcset=\"https:\/\/crrnt.net\/wp-content\/uploads\/2025\/12\/sirom.jpg 680w, https:\/\/crrnt.net\/wp-content\/uploads\/2025\/12\/sirom-300x194.jpg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<p>A very special experience awaits when the Slovenian trio \u0160irom gives a concert. On stage, the three musicians Ana Kravanja, Samo Kutin and Iztok Koren move elegantly between more than 20 instruments \u2013 many of them home-made \u2013 and create hypnotic compositions that slowly unfold like dreams that you can sink into. \u0160irom&#8217;s sound evokes associations with Slovenian folk music, Far Eastern music and African music forms, and sounds cosmic and minimalist at the same time. With their latest and fifth album on the iconic Glitterbeat Records, \u0160irom takes another bold step into a musical universe where traditional notions of folk music dissolve and are reborn in new, unexpected forms.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u0160irom - Everything I Sow Is Fatal (Vseje usodno)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/0mdwIaSlz8k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator alignfull has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p><strong>Undercurrent<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"440\" src=\"https:\/\/crrnt.net\/wp-content\/uploads\/2025\/12\/Undercurrent-Band-photo-2-\u00a9-Aurelijus-Uzameckis-680x440-1.jpg\" alt=\"\" class=\"wp-image-844\" srcset=\"https:\/\/crrnt.net\/wp-content\/uploads\/2025\/12\/Undercurrent-Band-photo-2-\u00a9-Aurelijus-Uzameckis-680x440-1.jpg 680w, https:\/\/crrnt.net\/wp-content\/uploads\/2025\/12\/Undercurrent-Band-photo-2-\u00a9-Aurelijus-Uzameckis-680x440-1-300x194.jpg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<p>Undercurrent is the musical expression of CRRNT Collective \u2013 a band consisting of the members of CRRNT Collective. At Undercurrent, different musical roots intertwine and create a living, changing sound space. Here, free jazz, improvisation, lyrical narratives and experimental textures meet in a common language that grows directly out of the group\u2019s deep dedication to collective creation. The ensemble\u2019s seven musicians each bring their own cultural heritage and musical visions into the space and each concert is an open work \u2013 an opportunity to explore new forms, listen to each other\u2019s ideas and create something that can only arise in the present. The ensemble\u2019s sound moves from the poetically quiet to the powerfully explosive, always with a clear sense of presence and relationships between the musicians.<\/p>\n\n\n\n<p>Line-up:<br>Flavia Huarachi J\u00f8rgensen (BO\/DK) \u2013 vocals, flute<br>Laura Z\u00f6schg (IT) \u2013 vocals, flute<br>Jon Sensmeier (DE) \u2013 tenor sax<br>Ben Rodney (UK) \u2013 trumpet<br>Luka Zabric (SI) \u2013 alto sax<br>Aurelijus U\u017eameckis (LT) \u2013 double bass<br>Ivar Myrset Asheim (NO) \u2013 drums<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Undercurrent - live @ Loppen, Copenhagen (outtakes)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/8D0xK5fzqyk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator alignfull has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p><strong>Mariam Rezaei<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"440\" src=\"https:\/\/crrnt.net\/wp-content\/uploads\/2025\/12\/mariam.jpg\" alt=\"\" class=\"wp-image-845\" srcset=\"https:\/\/crrnt.net\/wp-content\/uploads\/2025\/12\/mariam.jpg 680w, https:\/\/crrnt.net\/wp-content\/uploads\/2025\/12\/mariam-300x194.jpg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<p>Award-winning composer, turntablist and performer Mariam Rezaei effortlessly moves between experimental new music, free improvisation, mutant club and hip-hop \u2013 and she does it with a virtuosity that has made international critics open their eyes. The Wire has called Rezaei \u201cone of the most technically skilled and creatively fearless artists using turntables as an instrument\u201d. Using a digital vinyl system, she shapes an almost endless catalogue of samples in real time and creates an expression that feels both raw, playful and futuristic. In addition to classic turntablist techniques such as scratches and beat-juggles, she has developed her own, where she controls sine oscillations via the pitch slider. This is turntablism as composition. Mariam Rezaei has collaborated with, among others, The Sleep of Reason Produces Monsters with Mette Rasmussen, Turntable Trio with Evicshen and Maria Ch\u00e1vez, Pat Thomas, Valentina Magaletti, Okkyung Lee and many more. Her latest solo release \u201cFRACTURED\u201d was praised by, among others, Bandcamp Daily and The Quietus.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"mariam rezaei, king alfred phoenix theatre, london, 30th december 2022\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/dcNEn6wyLiY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>CRRNT Collective invites you to an evening at ALICE, where improvisation, avant-folk, and fearless turntablism meet across borders. The Slovenian trio \u0160irom creates a hypnotic and dreamlike sonic universe with their unique array of instruments, while award-winning composer and turntablist Mariam Rezaei unfolds a raw and futuristic expression in which vinyl becomes real-time composition. CRRNT\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":849,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-842","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/crrnt.net\/index.php?rest_route=\/wp\/v2\/posts\/842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crrnt.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crrnt.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crrnt.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/crrnt.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=842"}],"version-history":[{"count":5,"href":"https:\/\/crrnt.net\/index.php?rest_route=\/wp\/v2\/posts\/842\/revisions"}],"predecessor-version":[{"id":860,"href":"https:\/\/crrnt.net\/index.php?rest_route=\/wp\/v2\/posts\/842\/revisions\/860"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crrnt.net\/index.php?rest_route=\/wp\/v2\/media\/849"}],"wp:attachment":[{"href":"https:\/\/crrnt.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crrnt.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crrnt.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}